The Twilight Samurai (Special Limited Edition) (Korea Version) DVD Region All

Things start to pick up when Iinuma (Fukikoshi Mitsuru), one of Seibei's closest friends re-enters his life. Iinuma tells him of the fate of his sister, Tomoe (Miyazawa Rie), who has just recently divorced her abusive husband Toyotaro (Osugi Ren) and taken up residence with Iinuma. Soon enough, Tomoe pays a visit to Seibei, and the two catch up on old times. Things seem to be getting off to a good start for both Tomoe and Seibei, but when Toyotaro shows up at Iinuma's home to lay claim to his ex-wife, Seibei must intervene, eventually getting himself involved in a duel with the drunken samurai. With nothing but a wooden sword, Seibei faces Toyotaro at the appointed time, and in a very entertaining scene, bests the man in one-on-one combat. In the succeeding days, Tomoe begins visiting Seibei more often, tending to the chores, playing with the children, and generally bringing an overwhelming sense of happiness and warmth to the Iguchi household.

Considering how well things are going, the natural next step for Tomoe and Seibei, both of whom share a genuine affection for one another, would be for the two of them to get married. However, while there is nothing more Seibei would like than to marry Tomoe, he fears that his lowly status would be far too much for Tomoe to bear in the long run. Making matters worse, the clan is undergoing some intense internal drama that may end up having some major consequences for Seibei. Once his superiors learn of his sword-fighting abilities, they order him to kill the "rebel" Yoga Zenemon, who is a master swordsman in his own right. Clearly, Seibei's death would prevent any chance for a "happily ever after" ending with Tomoe. Will he survive? And will Tomoe, who has received numerous proposals, even be available if he does?

What is remarkable about The Twilight Samurai is that it is the type of samurai film that does not rely on swordfights or bold displays of heroism to win over its audience. Instead, the film's focus is on character, Seibei's in particular. The heart and soul of the film is Seibei's relationship with his loved ones, and Sanada Hiroyuki brings a sense of dignity, honor, and humanity to the role. Rather than gear us up for swordfights that would provide viewers with vicarious thrills, The Twilight Samurai gives us a compelling depiction of Seibei's home life, a narrative decision that makes the world of the samurai feel more threatening, since one clan order or one unnecessary duel could end Seibei's life, thus impacting the lives of the people he cares about. By adding this level of danger, The Twilight Samurai proves to be a marvelous change of pace from films in which the protagonist has absolutely nothing to lose and the duels are meant to provide nothing more than sword-slashing thrills.

This focus on characterization and realism is perhaps best illustrated in the film's climax. Seibei's duel with Zenemon begins with a conversation, one that questions the samurai code in a way that most chambara films do not. This dialogue soon erupts into a close-quarters, claustrophobic duel, one in which the audience becomes increasingly unsure of whether Seibei will survive. Reminiscent of Clint Eastwood's Unforgiven, Yamada's film marks the end of an era. It's a deconstruction of the genre, one that mocks the hypocrisy of the samurai code, yet at the same time, through the characters of Seibei, it is also a celebration of the ideals of that very same code, as it gives a wonderfully humane rendering of one honest man struggling to survive in a chaotic world.

Helping the story along is actress Miyazawa Rie, who makes great use of her seemingly limited screen time. Tomoe's positive influence on Seibei's life is not merely a case of a subservient female coming in to take care of "women's work," but instead, her role runs far deeper than that. Tomoe's warmth, compassion, and genuine affection for Seibei and his family, only increases the sense that she is the missing element in the Iguchi home. Her relationship with Seibei is well-developed and adds an ample amount of poignancy to the would-be couple's possibly final conversation towards the film's ending.

The Twilight Samurai may be somewhat low key, even simple, in terms of execution, but it is still deserving of every honor it has been awarded. In giving us such a sincere, honest protagonist in Seibei, the film shows how his personal code is out of step with the times, critiquing an era in which self-interest and self-preservation – not honor and compassion – are of utmost importance to those in power. Yet it also delivers romance, and yes, even a couple of good swordfights to keep us glued to our seats. Well-executed, surprisingly realistic, and infinitely compelling, Yoji Yamada's The Twilight Samurai is nothing less than a modern classic.

By Calvin McMillin

Yoji Yamada's Twilight Samurai is perhaps not the highest grossing Japanese film of all time, but it is definitely one of the most successful ones. Having won so many awards in the country, this 77th effort (reportedly) of the prolific director proves to be a rewarding viewing experience. Although it does not have a very dramatic plot, nor are there too many sword fight scenes, it nevertheless succeeds in grabbing the heart of the audience with its charismatic and emotional story of a great father.

It is a realistic portrayal of a poor samurai called Seibei (Hiroyuki Sanada). Seibei's wife has passed away at early age of their marriage and he has to take her part. He sacrifices all his leisure time to take care of his two daughters and his senile mother. One day, his childhood girlfriend Tomie (Rie Miyazawa) returns to the neighborhood after a failing marriage. The two of them still love each other, but they are just too passive to say that out. Meanwhile, Seibei is assigned a dangerous task. Before he departs, he decides to confess to Tomie... This story is told in a very straightforward and simple manner. Director Yoji Yamada relies on a very natural and linear cinematic approach to bring out Seibei's life. From Seibei's interaction with his colleague to his daily life at home, and from the duel of the samurai to the confession of Seibei, most of these scenes are realistic yet subtle. There are no visually stunning composition or exotic editing at all. Everything just looks so plain and calm. It is quite different from the typical Hong Kong or Hollywood films in which the emotions of the characters are always blatantly presented.

The protagonist of this film, Seibei, is an appealing character. Although he is indigent and his wife has died, he never actually feels despair. He never complains about his misfortune. When the merchant refuses to buy his bamboo cage at a higher price, he just asks him to consider it again, and then he keeps working as usual. At first glance, this character seems to lack an ambition to strive for a better life, but if you see it from another perspective, you'll eventually find out that what he looks for is not physical properties, but spiritual possession. From the dialogues as well as his behaviors in the movie, it clearly shows that to Seibei, the most important asset is always his two daughters. An intact family is what this man cares most. When every family member is at home, none of them looks unhappy. They talk to each other, help each other and laugh happily. Aside from poverty, this is actually a very pleasant and lovely family. Moreover, the addition of Tomie to the family makes it even more complete by serving the long lost maternal position.

Excellent actings from Hiroyuki Sanada and Rie Miyazawa enhance the dramatic quality of the film a lot. Sanada's composure does bestow life upon his character. A respectful father is slowly built up piece by piece in the film. Rie Miyazawa does not share too much screening time, but her character is so vulnerable and captivating and therefore wins the heart of the audience easily. To a certain extent, Seibei and Tomie are almost perfect in terms of morality, which I think is little too good to be true.

The two major topics raised in Twilight Samurai, family relationship and love, are nothing new to the audience. What Yoji Yamada does is to merely display these pure and exquisite qualities of human being in an honest manner. The reason why we love this film is because we are emotional being. We always need encouragement to reassure our unsecured faith in good human nature, and that's what this film provides us.

Cool guy(s) - Hiroyuki Sanada, Rie Miyazawa

Reviewed by Kantorates -